Archive for the EXHIBITS/SHOWS Category

Noah Krell! Don’t go…!

Posted in EXHIBITS/SHOWS, Maine, OUT THERE - MAINE PHOTOGRAPHER SPOTLIGHT on July 5, 2009 by voxphotographs

Funny when you’ve never heard of someone or something and you hear about him/it twice in a week…

Such was the case recently with Portland artist and master printer Noah Krell. First I heard about his printing skills from Nathan Eldridge and René Braun at my 6/25 photographers’ salon at the gallery. They raved about him as an important part of their work as photographers – they’ve had Noah print their work at his digital-imaging business called Pure Photographic Goodness in Portland. Unfortunately, remembering names is not a skill I can claim. Obviously.

Krell_Anina at restAnina at Rest © Noah Krell

A few days later, I was blown away by a photograph “Anina at Rest” in the current show “Island Artists: Fairfield Porter and the Great Spruce Head Island Artists” (through July 14) at Courthouse Gallery in Ellsworth. Hmmm. Artist: Noah Krell. Never heard of him. Where ARE these people hiding? In another room was a dynamite “Self Portrait” image. Guess what? Also by Noah Krell. Karin Wilkes, Director at Courthouse Gallery said she had heard he was leaving for the west coast soon. So, when I got back to my laptop that evening, I googled him, e-mailed him and asked him for the images electronically to include in a posting about him and could he send more info. about himself? When he responded he mentioned his business Pure Photographic Goodness and yes, he is leaving Portland in August and will land in San Francisco to pursue his MFA.

Although the image “Anina at Rest” is beyond stunning (I think my friend Susan Davens would have stolen it if she could have gotten away with it. But then I would have stolen it from her house on my next visit, so the friendship might have become strained), I’m not sure the impact can be felt from the reproduction here, but it’s better than nothing.His “Self Portrait” has the impact here it has on the wall at Courthouse Gallery:

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Self Portrait © Noah Krell

Much of Noah’s work on his website is not for the faint of heart. I do remember seeing his image “In the Kitchen” recently somewhere – where??? CMCA 2008 Bienniel? I have no clue, but it’s unforgettable, trust me. Some would say Krell’s work is controversial. I say it’s obvious he doesn’t take public sentiment into consideration when he’s setting up a shot or engaging in performance art. He’s making very provocative, clear-eyed images about domestic arrangements and sexuality in today’s world. This artist is focused on making terrific pictures, period. Look. Look at the details. Look again. You’ll see what I mean.

Noah grew up in South Hiram, Maine and was graduated from College of the Atlantic in 2001. But…. he’s ready to fly west. Noah, will you stay in touch and send me an image from time to time so I can post it here and keep us all up-to-date on your work and where it’s going? And when you’re ready, come back and stir it up for us again, okay?

New in Portland – Two Point Gallery…

Posted in EXHIBITS/SHOWS, Maine on June 25, 2009 by voxphotographs

Two Point Gallery is new on the scene and now exhibiting its second show which features the work of 20 members of the Bakery Photographic Collective based in Westbrook now. The show is open until July 12.

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There are some standouts and we all know their names: Scott Peterman, Justin Van Soest and Tonee Harbert. And oddly enough, the other four artists I made notes on, because I was impressed with their work, are all women.

Tara 3 by Rachel SchwartzTara 3 © Rachel Schwartz

Strong images from Rachel Schwartz are included: Tara I, II and III. How does anyone sell framed fine art photographs for $125? But here they are. These approx. 7″x10″ black and white beauties are clever and confident and I almost felt there was something going on here I couldn’t see. The artist’s explanation made no sense to me with respect to the pictures, but I’m not big on artists’ statements, so I shouldn’t have read it to begin with!

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self-portSelf-Portrait © Brittany Marcoux

Brittany Marcoux, a student at MECA, has some cool, fresh 10″x10″ portraits, but her self-portrait is the best – less self-conscious than the other three posers! It’s a good picture.

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peter.eprom.night.Peter, under the streetlight with a headache © Natalie Conn

Speaking of portraits, Natalie Conn has four 3″x5″ pictures in the show and her two portraits are funky and successful. Here are the titles – and these alone should get you in to see the show: “Molly, at the restaurant that no one goes to.” and “Peter, under the streetlight with a headache.”

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AtterburyElizabeth02(2008)Betty’s Mother and the Pink Pillow, 2008 © Elizabeth Atterbury

I’m wracking my brain to think of who Elizabeth Atterbury’s work reminds me of (Eggleston?). Her two 10″x10″ portraits in the show are terrific. Clean and engaging work, to say the least. The the portrait of a portrait (painted and framed, hanging over the bed) in “Betty’s Mother and the Pink Pillow, 2008″, together with the subject’s bed, adds a rewarding complexity to the whole idea of a portrait. The subject is missing, but – is she really? These may be “portraits” but they go much further if you take the time to “read” them.

Looks like portraits are a strong part of this show.

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harbert_tonee-WASHINGTON_COUNTYWashington County © Tonee Harbert

Well, on to the big guys. Tonee Harbert has three large soft focus inkjet prints in this show that demand your time and attention. I love them all, but especially the “Washington County, Maine” image. It  reminds me of the “Pie” image I saw last year at the plastic camera show curated by Bruce Brown in Rockland. It was my favorite image in the show.

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jvansoest_brooklynbridgeBridge Study 2 © 2009 Justin Van Soest

Justin Van Soest is a seasoned photographer and, as usual, it shows. I’d seen the “Bridge Study 2″ somewhere recently, but enjoyed it thoroughly again. Look at “Bridge Study 1″ and “Bridge Study 3″ on his website home page. What a set of images! There are two more of Justin’s images in the window of the gallery – I totally missed them! One of them is another of the “Bridge Study” series.

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Loved Keith Lane’s small “Red Jam” underneath Justin’s photograph. I’ll let you go and see what that’s all about!

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Bonneville_7_150Bonneville 7 © Scott Peterman

A couple of photographers had already told me about Scott Peterman’s smaller images in this show – they said they were amazing. They weren’t wrong. In keeping with his often minimalist approach, “California” and “Bonneville 7″ are so abstract when you’re 10 feet away, but give you more and more for each step closer you get to the images. You just have to wonder how he gets those exquisite tones. Go and study them for a while. Have you ever seen a boring or bad Peterman image? I haven’t, truly.  The man knows how to cull – something many photographers need to learn how to do. Just because you took it, doesn’t mean the picture is any good.

And to Chris Shaw and Melissa Smith – the two owners of the brand new Two Point Gallery?  Good luck to you both – although we all know luck doesn’t have much to do with success.

By the way, Susan Maasch Fine Art has moved her gallery from Forest Avenue directly across from Two Point Gallery and shows some stunning fine art photographers based in Maine. Check it out. And Ed Pollack is moving his print gallery, A Fine Thing, two doors down on Forest Avenue to Susan’s former gallery space. And… Maine violin maker Jonathan Cooper’s new shop and gallery Acoustic Artisans at 1 Forest Ave. close to the corner of Forest and Congress and shared with two other instrument makers, opened this spring. Cool area to spend an afternoon soaking up the arts, including, of course, a visit to the Portland Museum of Art a few feet away.  Soooo many galleries gathering on and around Congress Street! What a city…

Rockport this Saturday?

Posted in EXHIBITS/SHOWS, Maine on June 9, 2009 by voxphotographs

The CHROMA show featuring six midcoast fine art photographers and installed in the gorgeous Cider Barn at Carver Hill Gallery in Rockport closes on Saturday (June 13). The show was co-curated by Jana Halwick, Director of Carver Hill Gallery and myself. Three midcoast artists are included in the contemporary artist stable at VoxPhotographs and I wanted to get their work out there on their home turf.

The show opened May 2 but ends this Saturday, June 13, so plan a trip there to top off your week.

Cig 7-TypewriterTypewriter © Cig Harvey

The three artists selected by Jana Halwick for CHROMA  are Cig Harvey, Tom McConnell and Sarah Szwajkos. VoxPhotographs is represented by Susan Guthrie, Jim Nickelson and Liv Kristin Robinson and their individual webgalleries can be found at www.voxphotographs.com.

Carver Hill Gallery is pretty unique and it’s time to spent an enjoyable hour there if you haven’t already done so. Located just a hop, skip and a jump off Route 90 in Rockport and about 15 seconds from Camden downtown, the gallery is full of surprises and high end ones at that. Besides this photography show, you’ll find custom furniture, fabric, ceramics and glass, and paintings and more photography in the cape part of the gallery.

But the midcoast area is also hosting several other truly memorable exhibits, so a nice day spent there looking at great art, eating excellent food on the waterfronts of Camden, Rockport and Rockland would be kind of a dream come true, don’t you think?

CMCA (Center for Maine Contemporary Art) in Rockport has another photography exhibit ending this Saturday (6/13) – On and Off the Midway, curated by Bruce Brown and written about in this blog earlier. In the main floor gallery is a restrospective of paintings by my esteemed husband Linden Frederick: YOU ARE HERE – Paintings and Studies.(Yes, after 37 years together, I DO have bragging rights! -wow, are we old!!)

LDF CMCA cat. cover

And at the FARNSWORTH ART MUSEUM is the very exciting new body of work by Jamie Wyeth - Seven Deadly Sins. We went to the members’ opening, but I can not WAIT to get back into that gallery and study these amazing paintings with hopefully fewer people in front of me!

Pride (The Seven Deadly Sins-A Series)Pride (detail) © 2008 Jamie Wyeth. Private collection, courtesy Adelson Galleries, NYC

Our best friend, Glenn Priestley of Fredericton, NB, who Linden met at art college (Ontario College of Art) in the 70’s (holy moses- we are really so old!!) will be visiting us this weekend. Guess where we’re headed on Saturday? You got it. See you there. Join us for lunch?

Priestley(Glenn Priestley – keep an eye out for him this weekend in the vicinity of Rockport-Rockland… we’ll be tagging along.)

UNE Gallery-Photography in Maine…

Posted in EXHIBITS/SHOWS, Maine on April 21, 2009 by voxphotographs

I swear the art gallery at Univ. of New England is Maine’s best kept art world secret. Unfortunately, it is tucked away out of sight, just as if it wants to hide, but do not read a gallery by its location. Drive into the campus on Stevens Avenue and keep going. Nope, keep going further. And there it will be – a square, two story building at the very, very end of the road.

If you enjoy art, make a point of signing up for their e-marketing notices of upcoming exhibits. Every one I’ve attended there has been worth the effort and the gallery is a very unique space – two floors (and a lower level room as well) of gorgeous light that show off everything installed to its best possible advantage. Plus… it’s free admission. Consider becoming a member.

PHOTOGRAPHY IN MAINE: NEW WORK is the exhibit there now (through June 7) and it’s just a beautifully done exhibit in every way. (Disclosure: two VoxPhotographs artists, Stacey Cramp and David Brooks Stess are included) Curator Steve Halpert worked with twelve well-known fine art photographers to select cohesive bodies of work from each, and the installation of all those photographs is expertly done.

The photographs are from everywhere and each artist’s work is really different from any other work in the exhibit. Tanja Alexia Hollander was represented by several contemporary images and I saw as well, for the first time, three images that she shot ten years ago as part of her “Windows” series. Her black and red 20″x20″ image titled “When Morgan was Sleeping, Barcelona, Spain, 1999″ is a picture I would very much like to own and it hasn’t lost its power for me with time or distance.

when-morgan-was-sleeping-barcelona-spain©Tanja Alexia Hollander

Jon Edwards is well represented by his haunting black and white photographs of octogenarian John Ryan. Both Edwards and David Brooks Stess have an deeply genuine empathy for their subjects – you can’t fake this stuff.

11151_mediumlargerPraying to the Pie Gods © Jon Edwards

They are both willing to invest years spending time getting to know their subjects (Edwards with 5 years working alongside Ryan, and Stess with twenty years raking blueberries in Washington County). The results for both photographers are extensive, gorgeous bodies of work. All of their images are selenium toned silver gelatin prints.

Rose Marasco is debuting a fantastic series of images at this show – INTERIORS, which is part of a larger “Projections” series. The “Projections” series includes the mixed use of many different photographic media – from cyanotype to 4″x5″ color. The INTERIORS images are archival digital prints that are very large and presented in a very interesting way. Exciting, inspiring and visionary, the entire group.

projection00INTERIOR series 00 (Proejctions) © Rose Marasco

Also featured in the exhibit are Jim Daniels, Yuri Marder, Stuart Nudelman, Victor Romanyshyn, Mason Philip Smith,  Jan Pieter van Voorst van Beest and Fran Vita-Taylor. What a treat to stand in that great space and soak up such terrific images. If I’m gushing, I don’t care. I’m impressed.

On and Off the Midway at CMCA…

Posted in EXHIBITS/SHOWS, Maine on April 9, 2009 by voxphotographs

Bruce Brown has done his usual schtick: curated a very comprehensive show that includes a ton of artists -  25 to be exact. (Disclosure: two artists in this exhibit, Liv Kristin Robinson and David Brooks Stess, are represented by VoxPhotographs).

On and Off the Midway, through June 13 at CMCA (Center for Maine Contemporary Art) in Rockport, demonstrates why we need artists: everyone has such a different take on things and if some of us can make this a visual statement, it broadens the horizons of us all to see it their way.

Let’s take Tom Birtwistle for example (did you see his giant canning jars at the Falmouth photography show A Picture’s Worth? – they are spectacular and  Tom tells me he does all his own printing. I’m really impressed). Tom had a gorgeous print (Linden’s favorite image in the show) of the Exhibition Hall, Piscataquis Fair,

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AND a cool grouping of car detail shots, printed 5″x5″. Huh? Well, it IS the same photographer, and if you get on Tom’s site you’ll have a few more schizophrenic moments – he’s impossible to categorize, but that’s what makes his idea of what’s important so interesting.

3Above images © Thomas Birtwistle

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Dee Peppe’s four images were some of my favorites.Here’s the one that was on the exhibit invitation, but I can’t find any more of Dee’s images anywhere online.Dee…where are you?

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Tickets, Union Fair, Maine, 1995/2003 © Dee Peppe

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Ilya Askinazi is also in the Falmouth “A Picture’s Worth” show – his images of Bangor showing there are pretty amazing and he’s a master darkroom printer. I wasn’t as crazy about the images in the Midway show, but would recommend you take a tour NOW through his website. His urban shots, his fog shots…wow. There’s some seriously masterful work on that site.

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Liv Kristin Robinson started out in the early 80’s taking black and white images and then hand-painting them. She’s a truly gifted photographer who is now making hay out of digital technology as witnessed by this featured image in the Midway show:

lkr118Old Orchard Beach, #6 © Liv Kristin Robinson

She has an extensive series of images of Maine’s industrial waterfronts – bold and gutsy work that no one else is capturing at all in Maine.

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René Braun is another favorite photographer of mine – he has an archive of work that will blow your socks off – edgy, haunting, raw – what an eye this photographer has. He just sent me links to his tatoo images and his boxing images. Amazing. His images in this show are softer and you’ll like them. But for more Braun, take a look at his website: www.widereach.net.

1444849511_fc1dba628f_o-1Fair Lull, Cumberland Fair, 2007 © René Braun

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GO. You’ll spend one of the most enjoyable hours of your week wandering through 26 different Maine fairs and festivals and hey, it’s almost summer.

AIPAD Highlight #1…

Posted in EXHIBITS/SHOWS, NYC on April 5, 2009 by voxphotographs

AIPAD is my idea of heaven on earth. In fact, I would much prefer it to the biblical concept of heaven. Eighty photograph dealers, showing works from Talbot to… well, Larry Towell (who the heck is Larry Towell you might ask? Or maybe it’s just me who was unfamiliar with his work?) The world gets shut out when you walk in the Armory doors at AIPAD and you are allowed to simply wallow in photographs. Every kind of photograph.For three days. Not only fabulous historic images, but who’s new and now all over the globe.

AIPAD was March 26-29 this year (here’s an article about it from ArtInfo) – it’s always in NYC and draws dealers from all over the globe.

That’s why I know about Larry Towell. Not only is he a fellow citizen (confession: I’m a Canadian) but he is one unforgettable photographer.

I wanted to meet Stephen Bulger, of Stephen Bulger Gallery to ask him if his gallery was actually the only photography gallery in Canada. Yes. (It’s these kinds of things  that make me forever grateful I live here.) But as we talked, my eyes kept straying to a very large black and white image behind him of a little girl in a tree reaching down to her cat.

lt-fp-23Naomi in Hollow Tree with Cat, Lambton County, Ontario, Canada, 1990       © Larry Towell / Magnum Photos, courtesy of Stephen Bulger Gallery

Larry Towell is represented by Stephen Bulger Gallery and is a member of the venerable MAGNUM and that is an interesting story in itself. In the late 80’s he sent a huge portfolio of photographs to them he had taken while in El Salvador, rather than just leave them to lie fallow in a drawer. He didn’t consider himself a photographer at the time and had never heard of MAGNUM before. In a nutshell, they invited him to join MAGNUM and he kept telling them he had no idea who they were, just archive the photographs, and why would he want to join them? He knows why now.

So, Larry Towell shoots pictures all over the world. But his collection of images of his family at home on their  rural 75 acres in Ontario are truly some of the most genuine images I have ever seen.

I love Sally Mann’s work and Towell’s images included in his 2008 show called “The World from My Front Porch” are of that ilk. Great angles, really gutsy risk-taking in many ways and completely un-selfconscious – both photographer and subjects. The word I keep coming back to is…tender.

lt-fp-39Lambton County, Ontario, Canada, 1989 © Larry Towell / Magnum Photos, courtesy of Stephen Bulger Gallery

It is a memorable body of work, these private photographs of a family’s life. And it’s very clear this small circle of people does not need the world outside of their 75 acres to augment or complete their lives in any way. As you delve into the work you’ll see it’s not all innocence, however. There’s a slight sense of menace that can’t be discounted in many of the images, as in the one below.

lt-fp-4Naomi in an Abandoned House, Lambton County, Ontario, Canada, 1992 © Larry Towell / Magnum Photos, courtesy of Stephen Bulger Gallery

One of  my favorite shots in this series is “Moses and Cows, Lambton County, Ontario, Canada, 1995″. Get online to the Stephen Bulger Gallery and check it out, along with many others on the same page.

It’s April – the month of rain. So take your time and root around on the Stephen Bulger Gallery site while you wait for spring to come (hope springs eternal). It may be the only photography gallery in Canada, but with an artist list like it has, who cares?

Culture vs Art – heading off the stage at the Portland Museum of Art

Posted in EXHIBITS/SHOWS, Exhibits/Shows, Maine, REVIEWS on March 22, 2009 by voxphotographs

I know it’s the last day for BACKSTAGE PASS, Rock & Roll Photography exhibit to be viewed at the Portland Museum of Art. I had trouble getting over to see it the first time, and even more trouble the second. Some of that trouble was lack of time, being away, etc… but some of it was reluctance. Popular culture and “stars”  just bore me silly.

web-3Bob Dylan, Royal Albert Hall, 1966 © Barry Feinstein

(This Feinstein shot is my favorite portrait in the exhibit. Elsewhere online it’s called Soundcheck, Albert Hall.)

I think the staff and Curators at the Museum won’t be forgetting this exhibit any time soon, though. Public response to it has been phenomenal. February was the most attended and most successful February the Museum has ever seen. For that I am thrilled. The reviews don’t focus much on the photography or photographers, but on the culture, the groups, the stars and why shouldn’t that be the focus? That’s what the exhibit is about. Some reviewers seem to be  making the discovery for the first time that history for the last 150 years IS photographs, IS the visual recording of events and for that I’m grateful they are finally enlightened.

But the second time I went back – late last week – I wanted to know if there was any real art in the exhibit. In amongst the crotch-grabbing excess and self-absorbed exhibitionism, there were about 15 gems and I won’t forget them anytime soon. To say this is an exhibit of candid shots and private moments is wishful thinking for the most part. Most of the photographs in the exhibit, even though they didn’t capture ON stage presence, were definitely  unabashed publicity stunts and poses for these stars.

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Chuck Berry, Atlanta, 1964 © Jean-Marie Périer

Half of the finest images as far as memorable and brilliant portraiture was concerned, were in color. Very little of this exhibit is in color, so I double-checked my notes before I left; yes, 8 out of the 16 truly brilliant shots in the exhibit were color. Almost all of the 16 portraits I noted were posed, careful photographic studies of people. If you didn’t know who these stars were, it wouldn’t have mattered. The images were beyond gorgeous. This is what I went back to hunt down in that jungle of hedonism.

Take Jean-Marie Périer’s images for example. Here is a guy who knew how to shoot, how to capture character. His image of Chuck Berry, Atlanta, 1964, (above) was something that made me go very still, regardless of the swirling crowds. I went back to study it four times during last week’s visit. Two more of his memorable images in this exhibit are below.

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François Hardy, Paris, Nov.1962 © Jean-Marie Périer

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John Lennon, Paris, 1965 © Jean-Marie Périer

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Janis Joplin, 1968 © Art Kane

Art Kane’s bold, arresting image of Janis Joplin was color, and here’s another of Kane’s remarkable images – this one of Louis Armstrong – this latter image was not included in the Portland Museum of Art Backstage Pass exhibit…but it’s so perfect I included it anyway.

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Louis Armstrong, 1959 Esquire Magazine © Art Kane

Baron Wolman’s great color photograph of Joni Mitchell in 1968 – comfortable and at ease at home in Laurel Canyon – says it all:

bwp0017-fpJoni Mitchell, 1968 © Baron Wolman

Linden tells me Joni Mitchell started smoking at age 9, and became a musician to get cash to buy cigarettes! And here’s Wolman’s famous image of Johnny Cash at the Circle Star Theatre in 1967. Read about it here.

bwp0009-fpcashcigJohnny Cash Backstage at the Circle Star Theatre, Redwood City, CA, 1967 © Baron Wolman

Philip Townsend’s iconic image of the early Rolling Stones’ manager Andrew Loog Oldham holding up a photo of the original five musicans (in suits!) is on the cover of the exhibition catalog and one of my favorites in the exhibit…the composition is great, Oldham has just the right stance to make this memorable.

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Andrew Loog Oldham, 1963 © Philip Townsend

An antidote to all the “love me, look at me” stuff is the great image by Ian Tilton of Kurt Cobain – “Kurt Crying, Seattle, 1990″ (click here to read about this shot – it’s interesting):

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Kurt Crying, Seattle, 1990 © Ian Tilton

A simply beautiful portrait is William Claxton’s image of Tony Bennett in 1958. This is straightforward presentation, but from a master of the lens. Google Claxton to see more of his work – he deserves your time.

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Tony Bennett, Hollywood, 1958 © William Claxton

Claxton’s unforgettable image of John Coltrane at the Guggenheim:

42870950John Coltrane at the Guggenheim, NYC, 1960 © William Claxton

I wanted to go around the exhibit and pull all the brilliant portraits and re-hang them separately from all the other stuff. I longed to do it. I pictured myself doing it. And also pictured taking a very immediate, escorted trip to the Curator’s office to be expelled from the Museum permanently.

sinnead-oconnor_levine-1Sinéad O’Connor, NYC, 1988 © Laura Levine

But here they all are in this blog posting, so I’ve been able to make a mini-exhibit of my own. Feinstein, Périer, Wolman, Kane, Townsend, Tilton, Claxton and Levine. Worth exploring, every one of them. And I hope you will agree, just from looking here, that an exhibit of these images would have been art. More, please.

Get thee to Bowdoin…

Posted in EXHIBITS/SHOWS, Exhibits/Shows, Maine, REVIEWS on February 16, 2009 by voxphotographs

The perfect exhibit for photograph nuts is hanging at Bowdoin College Museum of Art until April 5, 2009, so there’s no excuse for ANYONE not to get there. The Museum is open every day except Monday, and open Thursday evenings and Sunday afternoons as well.

“The Image Wrought – Historical Photographic Approaches in the Digital Age” is a cool marriage of then and now. As photography hurtles headlong into the digital age, and a new way of using digital photography seems to be discovered daily, it’s important to underscore that in the decades since 1839 there have been tons of different processes used to take a photograph. Gelatin silver has been around so long that many people think we should have stopped with it, but the processes have been evolving since the beginning.

images Beatrice and Ethel Hatch by Charles Dodgson

(Lewis Carroll) This is an albumen silver print from a wet collodion negative.

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(Above is an example of Anna Atkins’ cyanotypes. She was the first woman photographer AND the first photographer to publish a book (”British Algae”, 1843))

Here are some for you: daguerreotype, cyanotype, ambrotype, palladium, gum bichromate, wet plate collodian, carbon print, chrysotype, argentotype and… gelatin silver! I’ll bet there are many, many more and you can find them all in in a couple of great books featured in the glass cases throughout the exhibit. Here are two: “Photography’s Antiquarian Avant-Garde: The New Wave in Old Processes” by Lyle Rexler (Abrams, 2002) and “The Book of Alternative Photographic Processes” Second Edition, Christopher James (Delmar).

But the exhibit at Bowdoin includes some pretty bigtime practitioners – from William Henry Fox Talbot to Mark Osterman. I have never seen an original Talbot, Hill & Adamson (salted paper print) or Anna Atkins (cyanotype) before, let alone a Carleton Watkins mammoth plate landscape, so this exhibit is an opportunity I’m very grateful for.

imageserverAbove: Talbot’s salted paper print from calotype negative “The Ancient Vestry”, 1845.

If you are a photographer and are not a student of the History of Photography you are missing most of the iceberg. This is a great exhibit to whet your appetite to understand how photography has evolved into what you spend so much time doing!

If you ARE a student of  the history of photography you’ll just revel in the examples before you, hold your breath while you roll up the velvet covers on some of the most fragile images, and get that much further along in the “science” of each process. Don’t expect to have it all memorized any time soon, but each book I study or exhibit I work through I pick up some major breakthroughs in the understanding of it all.

The contemporary practitioners are definitely holding their own in this exhibit. Two of the top images presented are by France Scully Osterman and Mark Osterman, the couple who singlehandedly revived many of the historic processes in the 1980’s. Mark’s image “Blowing Smoke” (ambrotype on ruby glass, with pigment rubbed into the silver deposits) alone will bring me back to the exhibit several more times before April 5.

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Blowing Smoke © Mark Osterman

France’s warm and radiant image “Laszlo and Carole, 2002″ (waxed salted paper print from wet collodion negative) is so intensely beautiful, it’s hard to pull away from it.

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Laszlo and Carole, 2002 © France Scully Osterman

The Ostermans’ website will provide you with another afternoon’s worth of study and delight, so don’t miss it.

A couple other images to note and then you’ll have to go yourself and let me know what hit your buttons: Adam Lubroth did a great piece called “30 Pasageros” (paused in cars at red light) and it’s a fabulous modern gum bichromate layered with bright primary colored pigments.

A stunning argyrotype by Billie Mercer titled “Maurice”, 1997 is another unforgettable image.

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Maurice © Billie Mercer

Another favorite is Dan Burkholder’s “Flatiron in Spring, New York II” – a platinum print made in 2005 from a 1997 negative and sporting digitally applied color – it’s just plain gorgeous.

dan-burkholder-c2abflatiron-in-spring-new-york-iic2bbFlatiron in Spring, New York II” © Dan Burkholder

None of the images reproduced here do them justice, so get thee to Bowdoin early and often to take advantage of this terrific traveling show stopping for a few months in Maine before heading south back over the line forever.

All of Lincoln’s faces…

Posted in EXHIBITS/SHOWS, Exhibits/Shows, Other on January 12, 2009 by voxphotographs

I lucked out getting to Washington DC a couple of weeks ago. I read in today’s paper about the Obama family visiting the Lincoln Memorial last evening and could remember pretty acutely the large emotions I felt standing there myself so recently. How could you not feel such a deep sense of irony and awe? To see President-Elect Obama standing at the feet of Abe Lincoln may have been more than my tear ducts could stand. And I’m a Canadian for heaven’s sake!

The day before I visited the Lincoln Memorial I had spent time at the National Portrait Gallery studying the photographs of Lincoln in their “One Life – The Mask of Lincoln” exhibit. What a privilege to stand and study the Alexander Gardner albumen silver print taken in 1865 – the one from the cracked plate. (Gardner twisted the plate as he removed it from the camera – and it broke into two pieces. He made this one image and threw the plate away.) It is rarely on display and in fact will be replaced by a facsimile on February 17 in order to preserve it. A once-in-a-lifetime viewing for me, I think. I love surprises like that!

1865 – Gardner

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The photograph that made me practically jump when I walked up to it is another Gardner, this one taken earlier in 1863. I’m not kidding when I say I thought I was looking into the eyes of the great man himself. Even with this tiny reproduction, you can sense it.

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The third image that stood out for me was Matthew Brady’s salt paper print taken in 1860. A gorgeous and singular portrait and one I spent a long time looking at.

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1860 -  Brady

I didn’t know this exhibition was up until I got to the Gallery. But… the good news for you is that it is up until July 5, 2009. If you are anywhere near Washington, go and see it. I never cease to marvel that all our national museums are free – the best kind of use of my tax dollars.

When you’ve spent time observing these rare and lovely images, take a walk: up the Mall to the feet of the great leader himself.

Meeting Michael Katakis…

Posted in EXHIBITS/SHOWS, Exhibits/Shows, Other, REVIEWS on January 6, 2009 by voxphotographs

On view until 2/1/09 at the fabulous National Portrait Gallery in Washington DC is an exhibit called Women of Our Time: Twentieth Century Photographs. I saw it a couple of weeks en route to a warmer place than Maine!

My favorite portrait was Michael Katakis‘ image of Maya Lin in 1988 – one of the most uncontrived and lovely portraits I’ve seen a long time. It shows the designer of the Vietnam War memorial in Washington DC (completed in 1982) casually seated in what looks like her studio, and her black cat has reached out to place a paw on her shoulder.

maya_lin© Michael Katakis, National Portrait Museum, Smithsonian Institution; gift of Michael Katakis in memory of his father, George E. Katakis. All rights reserved.

Mr. Katakis photographed the Vietnam War memorial extensively and this one page essay about an encounter he had there gives great insight into the man and is supported by two of the photographs on his website (below).

If you think you’ve seen enough pictures of visitors to the Vietnam War memorial, you haven’t until you viewed a small sampling of Katakis’ images on his site, or buy the book if you can find it, published in 1988 by Crown Publishers and titled The Vietnam War Memorial.

Take some time to get to know Katakis’ work via his website. You can’t go wrong spending a few minutes with an expert photographer who gets right to the soul of his subjects.

JUST RELEASED: Michael Katakis had a new book published this week, Jan. 5, 2009. Traveller – Observations from an American in Exile includes an introduction by Michael Palin.

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