Archive for the ONLINE AWESOME Category

Behind the hedgerow – Aldine Fine Arts.com

Posted in ONLINE AWESOME on November 13, 2012 by voxphotographs

Not long after moving to Maine in 1989, we understood something vital about neighborhoods here: “behind the hedgerow”, as we call it, there are amazing things going on. On our small stretch of road alone in the 90′s there were three full-time painters with studios and one antiquarian bookstore – all thriving and busy. You’d never know it from looking around as you drove or walked by.

It’s just gotten better with time, and www.aldinefineart.com is a recent example of this phenomenon that’s just come to my attention. Joe Muir, longtime printer extraordinaire and proprietor of Black and White Image in Portland is repairing and correcting and printing thousands of images for the founder of Aldine Fine Arts, Michael Flannery. Flannery combs through thousands of archival photographs from depositories all over the world, and selects those which he feels “offer fresh insight into moments that signpost history, without losing focus on everyday life…”.

Joe Muir has done printing for some heavy-hitters like Berenice Abbott and Vernon Reed. He also has a huge body of work of almost surreal flora of his own.

                                         Robinson Woods©Joe Muir. All Rights Reserved

I’m crazy about vintage photographs and have a collection of almost 400 images myself – all anonymous. So http://www.aldinefineart.com is a great way to browse through someone else’s idea of what works. My only complaint is I couldn’t really get a good look at the images because they are so small, and the zoom only enlarges the area where your cursor is. I just can’t appreciate the images well enough this way. But take a trip through the myriad categories of images offered, and enjoy yet another busy “under-the-radar” enterprise that has roots in Maine’s hidden expertise.

Online awesome – get help!

Posted in HELP!! Doing it right..., ONLINE AWESOME on July 17, 2012 by voxphotographs

Two VoxPhotographs artists sent on their favorite websites for technical help and equipment and I want to share them. Please comment and include the sites you think are vital:

DAVE WEINBERG


http://tv.adobe.com/show/the-complete-picture-with-julieanne-kost/


http://tv.adobe.com/show/the-russell-brown-show/

Lamp Post Signal 1©Dave Weinberg. All Rights Reserved

JANE YUDELMAN


http://thelightroomlab.com


http://www.dpreview.com


http://www.the-digital-picture.com

Pastel Series #6©Jane Yudelman. All Rights Reserved

Ready to roll? check out these competitions…

Posted in EXHIBITS/SHOWS, Maine, New England, ONLINE AWESOME, Other on May 31, 2012 by voxphotographs

Jim Nickelson has posted his selection of Calls for Entries on his blog 56×56. Here’s the link:


http://56×56.com/for-photographers/calls-for-entries-june-2012/

If you haven’t signed up to receive his blog postings automatically, you should. I’ve received terrific feedback from Maine’s fine art photographers on competitions, shows and exhibits they discovered in these listings. Make a commitment to enter at least one competition or show each quarter. Get ready to roll. It will make a difference, trust me.

Jack Spencer’s many roads…

Posted in ONLINE AWESOME, READ THIS! on April 5, 2012 by voxphotographs

Road to Livingston, Livingston, Montana©Jack Spencer. All Rights Reserved

I met Jack Spencer recently in the pages of the current (June 2012) issue of B&W/COLOR. Who isn’t always hoping that the turn of a page will reveal a serendipitous visual whammy? Although the magazine issue includes much worthy work,  Jack Spencer’s images surpass it all. (That said, I also feel strongly about Toronto artist Carol Rooney‘s exceptional Taylor Creek Park series featured in the same issue.)

Red Church, Casa Rojas, NM©Jack Spencer. All Rights Reserved

Spencer readily admits his beginnings:“Being raised in the segregated South and dirt poor to boot, I view the world through that prism.” (Jack Spencer: This Land, Mark Edward Harris, B&W/COLOR, June 2012). He says he’s learned to be grateful for this base – it has compelled him to follow some challenging roads resulting in stellar bodies of work.  A full time fine art photographer for the last 17 years, Spencer features 6 completely different series on his website, but the same hand is evident throughout them all.

World Watcher©Jack Spencer. All Rights Reserved

While the other series’ images create a finished, cohesive body of work, I find some of the images in the “This Land” series (resulting from a 9,000 mile trip around the west and the series also featured in the magazine article) distracting because they are not worked over the same, or the subject matter seems entirely out of place. The horses leave me underwhelmed and I’d rather see the same pictures without them. I’d like to see  the works in this series re-grouped into more meaningful and persuasive sectors – the impact would be greater.

Charleston Harbor, SC©Jack Spencer. All Rights Reserved

Spencer’s photographs are anything but a straightforward process – he beats on them when inspired to do so – including stains, scratches and tears. Some are toned or glazed with a variety of media.

It’s always interesting to see a fine artist who started in the arts with music rather than art itself. Spencer is one such creator and I don’t think I’d be out of place to say it’s a sensitivity that contributes heavily to the poetry of his work. And he’s not afraid to take risks, and more risks. He is quoted in B&W/COLOR as saying, “Photography really is about how one deals with failure. I still fail much more often than I succeed. But failure is an integral part of success.”

Birds 22©Jack Spencer. All Rights Reserved

Spencer’s work has reached a rare pinnacle of a highly realized artistic vision, but I have a feeling he’s far from finished. I couldn’t be more eager to see what’s next.

Nebraska©Jack Spencer. All Rights Reserved

There is a limited edition book of Spencer’s works available at 21st Editions.

Melon/Rununcula©Jack Spencer. All Rights Reserved

Kamil Vojnar – AIPAD highlight

Posted in ONLINE AWESOME, OUT THERE - PHOTOGRAPHER SPOTLIGHT, REVIEWS on April 7, 2011 by voxphotographs

Free Fall©Kamil Vojnar. All Rights Reserved

Verve Gallery of Photography in Santa Fe, NM has some very strong, exciting artists on view. One who really caught my eye and my soul, actually, at AIPAD recently is Kamil Vojnar. He’s been with Verve for several years. I would have to say Vojnar was the find of the show for me. (I must be living in a cave not to be familiar with his work, but Maine can be a cave sometimes.)

This artist has a mind that doesn’t quit. I know that for a fact because I just received an “artist statement” he wrote, so to speak, for Eyemazing Magazine last fall and it is the only artist statement I have ever read that has moved me. And he doesn’t use the word “fascinated” once. I’ve reproduced it in its entirety below.

Catapult©Kamil Vojnar. All Rights Reserved.

Vojnar is based in France and has several galleries in the USA representing his work as well. My favorite at the show was “Free Fall” at the top of this posting. The “Angel” series (Sleeps, Sleeping, Dreams, Dreaming, etc.) are dynamite.  All the images I saw at AIPAD prominently featured figures, but here are two new deeply haunting images I found on his website and requested from Verve so I could reproduce them here for you. If you google the artist, tons of images are available for viewing on the internet:

Last Station©Kamil Vojnar. All Rights Reserved

Airport©Kamil Vojnar. All Rights Reserved

On the Lenscratch blog I found a May, 2010 posting about Vojnar – that he was born in Czechoslovakia and studied in Prague and Philadelphia. He’s obviously hot – he sells like crazy and obviously works like crazy too – there is a wealth of work out there. What amazes me is how reasonably priced it is. He’s a big talent, but his prices are for all of us. If I could, I’d fill a room with them. Layered, with a brilliant understanding of color, not to mention the human psyche, these photographic constructions are images you can live with for a long, long time.

Like Mr. Vojnar says in his statement below: “Every time you turn the corner, there are pictures, every time you turn to the next page… more pictures”. But he is why we keep looking and turning those corners -  the quest for the unique vision coupled with dramatic artistic talent is what we seek and oh, how sweet it is when we find it.

———————–

My apologies to Mr. Vojnar  – WordPress does not embrace copy and paste well – hence the spacing is not all as originally composed.

————————

Here I am.
Writing about myself.
But believe me, that was not the plan!
I hoped someone else would do it… write …whatever.
The real writer!
You know, the proper article. Review, little essay, an interview.
That would make me look good! My work profound! Far reaching!
Like everybody else’s!
Yet the writers! They bailed out.
The time was tight.
And there was no money in it.
And you know, you get what you pay for.
Because, if you ask me, I prefer pencil, brush, camera… or knife, if it comes to that.
Anything you can leave your mark on with.
But words, they float around, weightless and slippery.
They comfort, they hurt. Then they run away, transparent like water.
Because, if you ask me, I prefer music.
I should stand here, pressing a violin to my chin … carve out a beautiful melody with my bow.
Out of the thinnest air, the deepest sound would come!
But I don’t have a violin! And don’t know how to play!
So I am standing here, stark naked, searching for cover.
My white skin glows in unexpected light.
I am searching for the words to explain. To explain the crime.
Was it ignorance? The outsized ego?
That lifted me out of my fragile shell, from my safe “Nowhere”?
And propelled me, right … here?
Sorry, I didn’t knock. There was no door, no bell to ring and say… Hello, it’s me.
There was no gate, there was no time!
From darkest corners, brightest clouds, I fell…like a cherry.
Clutching black folder and my hat.
Because… I make pictures, if you must know.
Because my soul is dripping. It’s soaking wet.
Okay, listen, I will tell you all about it.
Tell you, because I don’t know how to play.
Listen. I go out and find the highest mountain.
I stand up on the highest hill and wave my hands in the wind.
Like leaves in autumn, ideas blow around, appear, grow enormous, deflate and disappear.
Ideas slap my chin, bury me under, then lift themselves and “poof,” they’re gone again.
I open my jacket and let as many I can in.
They push me down, to the ground …roll around.
In the deepest black and lightest white, and anywhere in between, … I roll.
Then I stand up, I clean stardust from my clothes, holding my pockets closed tight.
Only later, later at night, when all is safely a sleep, I open them and let the little sparks out.
Sparks of light, like fireflies.
They dance, reflected in the fountains of my eyes.
Which one, which one will help me go, guide me through?
Like fireflies they are!
I cling to them and feel being lifted.
I am holding my breath, not feeling the floor.
Not feeling attached anymore … where do I go?
Where do I go, when there is no road, no map to guide me through, no border to stop me.
No ceiling, no floor!
Where do I go, if all around is just a milky, hazy mist.
And from the cloud above, thin strings are suspended, attached to my arms.
And I just hope, I hope, that up there, somewhere, at the other end of those strings,
there is a balloon filled with golden air,
a balloon that will carry me on, even if I have no more energy, no more strength to keep pushing forward.
It’s a sentence, making pictures. No hope for early release for good behavior.
It’s like a crawling through the fog, each and every one of them.
Inching forward, with hands outstretched far ahead so as to prevent bumping my head.
Inching forward slowly, at times overwhelmed by the sense of enormity of what is possible,
at times flipped out by fear … I will never make it.
I am crawling through that white darkness, crying … crying loud, out of happiness and dread.
The bottom is no longer visible.
I can only fly or be no more.
But someone may ask, Why? Why not just stay still?
Enjoy a drink at the end of day, warm dinner, fleeting love?
Because… what if there is no light at the end of tunnel?
Because, what if there is no tunnel?
If it is all just this collection of passing moments, meant to be lived.
And I say, what about the Bosnian boys and men taken to the forest and machine gunned down into the ditch.
What about those who jumped down from the burning Twins?
They were going down with no shoes on. Why??? I want to know, why?
What about Neda, dying in a pool of her own blood on Teheran’s sidewalk?
Her large brown eyes wide open in utter incomprehension.
What about the wars we fight, the hunger, sicknesses, depravity, the inequality?
What about the cigarette burning at your lips?
Have we learned nothing?
We keep marching to the same drum, licking ice cream in the sun!
OK I get it!
I make only small pictures, no big deal.
Small, honest statements about the state of my soul.
Why should you care anyway?
There are plenty of pictures, anywhere you go.
Every time you turn the corner, there are pictures, every time you turn to the next page…more pictures.
New pictures, old pictures, new pictures just like old pictures.
Fresh, cool, hot, dated, contemporary, antiquated.
Seas of colors and shapes.
Feels like pissing into the ocean!
Feels like drowning!
Please, have mercy!
Okay, okay, there must be a reason!
Some reason to it all!
I photograph your face.
I move your arm. And I don’t know why.
I print my pictures, I cut them, glue, paint, scratch, glue again, paint again.
I don’t know why. Something is pressing me on. It must be done! I don’t know why!
Dreams have landed. My son was born. I move your body sideways, put a flower in your hair.
Night changes into a day. I take my daughter’s hand, hold her tight, show her the sky.
I don’t know why.
Dreams have landed, I keep my head high, I don’t know where I am going, I am flying blind
and I don’t know why.
I know, there must be a reason. I soak up your stare, children’s cry, I don’t know what’s tomorrow,
and I don’t know why!
Only small pictures I make. Nurse them to life … no midwife skills. Like my soul, they are soaking wet.
My blood and sweat.
And my blood is warm … and red.
Then release them, let them live their life. I don’t know where they are going. And I don’t know why.
Look, trust me, I didn’t want to do it, I didn’t want to write.
I wanted to read something nice about me.
But, they bailed out!
Look, I don’t know what I am doing, and I don’t know what to say.
I am flying blind!
But now … I am standing here, stark naked.
And suddenly … I know it now! I know it all.
I see my shadow on the opposite wall.
I carry your weight, so you can be light.
Because I see the shadow, and there are wings on my back, and the wings are white.
I etch your sorrows and my demons into a piece of paper.
I carry the paper to the highest point, there kneel down and beg for forgiveness.
I am kneeling down there, stark naked in unexpected light.
I have just feathers to cover myself. Their color is white.
Please, don’t ask me why!

Kamil Vojnar
June 2010, Paris

Text written originally for my profile in the Eyemazing Magazine,
Fall 2010 Issue. (www.eyemazing.com)

Back from gone and moving forward…

Posted in ONLINE AWESOME on February 1, 2011 by voxphotographs

Ice Shack © Corey Desrochers. All Rights Reserved. OBJECTS GALLERY at VoxPhotographs.com

———————————————————————————————

January was supposed to be a pseudo-vacation for me but instead I re-designed my fine art photographs gallery to represent the work of over 30 artists. The re-vamped webgallery launches today 2/1: www.voxphotographs.com.

Sunset Reeds © Brendan Bullock. All Rights Reserved. ABSTRACTS GALLERY at VoxPhotographs.com

Several factors compelled me to do this. I felt it was time to broaden what the gallery offered in the way of photographic styles and visions. Working on FOCUSMAINE.COM with partner Jim Nickelson leads me to many wonderful personalities in the fine art photographs community here in Maine and most have no gallery representation. I wanted to partner with more of them and have the privilege of offering their work to collectors and design professionals. So that came first – getting to know other photographers well through FOCUSMAINE.COM.

With Cayenne/Esme © Amy Wilton. All Rights Reserved. BLACK AND WHITE GALLERY at VoxPhotographs.com

For three years I had an exclusive gallery relationship with twelve Maine-based artists, working hard to give them shows, shape their careers and help them build bodies of work that are genuine and represent their unique visions. After countless openings and closings and tens of thousands of dollars spent on building the gallery, the revenue from all the effort and investment didn’t justify continuing that model. Significant revenue was generated through the design community and corporate purchases, and I feel broadening what I have to offer and focusing more of my energies in building that part of the business will pay off and help sustain the gallery in the years to come.

After the Sound Check © Dave Weinberg. All Rights Reserved. INTERIORS GALLERY at VoxPhotographs.com

So everything just kind of coalesced into this new gallery model. The last three years has taught me there just aren’t enough individual collectors of photographs in Maine or interested in Maine fine art photographs and it concerns me greatly. There is a great wide moat between viewers truly enjoying fine art photographs shows and exhibits, and investing in the work – and it’s getting wider. And I know why. I’ll write about it next because it’s very much on my mind.

Boy and Horses © Michael Heiko. All Rights Reserved. PEOPLE GALLERY at VoxPhotographs.com

In the meantime, here’s to my 31 artists and the extraordinary work they are creating. My plan is to represent the work of even more fine art photographers by year’s end. Maine is rife with talent, real talent. Not the least of which is the talent of my web designer, Gordon Holman at Slickfish Studios in Portland. He has now designed three sites for me and I’ve written about him on this blog way earlier in the game. Integrity, attention to details and respect for his clients’ wishes – he has it in spades. Thank you, Gordon. It’s a beautiful website.

Bethany Jean © Mark Marchesi. All Rights Reserved. LANDSCAPES GALLERY at VoxPhotographs.com

If you post, you could win…

Posted in ONLINE AWESOME on November 9, 2010 by voxphotographs

What did you think of our first month’s offering of images and artists on www.focusmaine.com? Go on, pick a favorite, post a note on the focusmaine blogsite and get yourself in the running to select a free $50 print anytime in the next 18 months.

Here are the details: http://www.facebook.com/notes/focusmainecom/want-to-win-a-free-print/173201836025638

And here are the five images:

By the way, if you are a fine art photographer, a collector of fine art photographs or a member of the larger fine art photography community in Maine and haven’t signed up for the Friday morning e-mail alerts announcing our “fine art photographer feature of the week”, is it that you don’t know about this new company designed to get the word out about this incredible community, or ….well, I can’t imagine what else would keep you from doing so.

It takes a village – and that’s the truth.

FOCUSMAINE.COM: Rose Marasco!

Posted in EXHIBITS/SHOWS, Maine, MAINE RESOURCES I LOVE..., ONLINE AWESOME, OUT THERE - PHOTOGRAPHER SPOTLIGHT on October 1, 2010 by voxphotographs

Ironing Board © Rose Marasco. All Rights Reserved.

Each week FOCUSMAINE.COM introduces a different Maine fine art photographer and offers the first 50 collectors the rare opportunity to purchase a digital print of their work for $50.  Other sizes and editions will also be offered until sold out.  FOCUSMAINE.COM is honored to introduce ROSE MARASCO and her work as our first featured Maine fine art photographer.

ROSE MARASCO is the epitome of what makes the Maine photographic community so vibrant. She is fearless in her drive to discover enlightening combinations of photographic processes and takes risks to achieve her desired results. As a university professor, she has been inspiring photography students for over three decades and was recently named Distinguished Professor of Art by the University of Southern Maine.

To learn more about the artist and what inspired her to create this photograph – and to purchase a print, or to sign up for our e-mail list to receive first notice of each new edition, go now to www.focusmaine.com.

Okay. Let’s start at the beginning…

Posted in MAINE RESOURCES I LOVE..., ONLINE AWESOME on August 14, 2010 by voxphotographs

Yesterday Jim Nickelson and I announced the launching of

Inspired by Jen Bekman’s 20×200 venture, FOCUSMAINE.COM will feature only Maine-based fine art photographers. Friday mornings at 10 a.m. our e-mail list will be notified of the image to be made available starting that minute.

Fifty nimble collectors will be able to purchase a small print of that image for $50. But frankly, that is just the beginning and a very small part of our purpose.

Brooks Jensen, editor of LensWork magazine says: “In order to have height at the top of the pyramid, we need a very large base at the bottom.” The collector base for fine art photographs needs to be built from the ground up and we aim to do something about it.

FOCUSMAINE.COM will be the place a young or new collector can get educated about fine art photography, and then become more comfortable visiting galleries and talking with gallery staff. It will be a place to begin building relationships with artists that hit their buttons. Links to artist and gallery websites, a glossary of terms, and links to events in Maine that are featuring contemporary fine art photographers will all be featured.

One of the most important aspects of the site will be the offering of market prices and sizes for the artist’s work. Yes, every artist will allow this particular image to be sold for $50, in an edition of $50. But the image will be offered at their market prices and sizes as well. We hope the images will be compelling enough to inspire many new collectors to size up: Jim and I will set aside 10% of any sale of work other than the $50 size offered, and put that 10% of our own revenue into a Photography Fund. Every year we’ll canvass the art institutions in the state and see which of our featured artists they would like to add to their permanent collections, or which of them will be featured in an upcoming exhibit – and we’ll offer to help fund those investments.

I am the Director of VoxPhotographs – an online gallery supported by a private space in Portland where my guests can view work, sit on the terrace with a glass of wine and attend parties to celebrate Maine’s fine art photographers. Nickelson Editions is Jim Nickelson’s fine art printing company and he is one of the best digital printers in the state. Jim is an extraordinary landscape photographer. His work is represented exclusively by VoxPhotographs.

Together we plan on making a difference for Maine’s fine art photography community: the artists, the galleries, the art institutions. And soon: the collector.

So, GET READY. Sign up at focusmaine.com and stand by: we’re launching October 1 at 10 a.m. Whatever level you purchase at, FOCUSMAINE.COM will be honored to have you join Maine’s astounding community of fine art photographers. It’s the beginning of something big.

Old is good too!

Posted in EXHIBITS/SHOWS, Maine, ONLINE AWESOME on May 5, 2010 by voxphotographs

There are two places in Maine to see fabulous vintage photographs OF Maine…

© Maine Historical Museum. All Rights Reserved.

In Portland, the Maine Historical Society has opened up an exhibit at their Congress Street exhibition space called “EXPOSED: RARE PHOTOGRAPHS OF LIFE IN MAINE”. These are reproductions of photographs taken between 1860 (daguerreotypes) and 1975. The Society is opening up for First Fridays now so you can stop in and look while you’re in town for the other storefront gallery events.  Every month the exhibit will change, so put it on your must-see list. If you think you aren’t into vintage photos, you just haven’t seen great ones yet. It’s hard to find the link to the vintage photographs exhibits on the Society’s website, but if you go to their vintage Maine photographs site, you’ll see it.  Here’s a link to the page that provides you with a sneak preview of each month’s exhibits through October, 2010.

Kids on horse © Penobscot Marine Museum. Artist: Frederick Ross Sweetser. All Rights Reserved.

I just read a page in Bangor Metro magazine about the collection of nearly 100,000 vintage photographs in the collection of the Penobscot Marine Museum in Searsport. The Museum opens May 28 and will have many image exhibited through its season. Half of the collection is now online and if you don’t think this is a labor of love, talk to Kevin Johnson, the Museum’s photo archivist.

Small Group © Penobscot Marine Museum. Artist Frederick Ross Sweetser. All Rights Reserved.

Of course, VoxPhotographs has over 400 vintage images online to enjoy as well – categorized for making the hunt easier and more fun. Reproductions of all of them are available. All of the images on my site are anonymous – no known maker and I own the collection or the originals.

Examined to Death © VoxPhotographs. All  Rights Reserved.

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